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Whitmer Thomas, Our Silly Voices Friend - Hollywood Handbook | iHeart

Whitmer Thomas returns to Hollywood Handbook to showcase new impressions and promote his special, "Whitmer Thomas: Terminal Crew of Dudes," on HBO Max. The episode features a free-flowing conversation that touches on various topics, including liminal spaces and the concept of friendship.

Whitmer Thomas, Our Silly Voices Friend

Whitmer Thomas, Our Silly Voices Friend

Hollywood Handbook

Episode Description

The Boys allow WHITMER THOMAS to return and show off a few of his new impressions.

Check out Whitmer's special, Whitmer Thomas: Terminal Crew of Dudes,on HBO Max now!

Get a Hat Pack Hat here!

Check out Sean and Hayes’s bonus shows at Patreon.com/HollywoodHandbook

Listen and watch on the iHeartRadio App!

See omnystudio.com/listener for privacy information.

Episode Transcript

Available transcripts are automatically generated. Complete accuracy is not guaranteed.

Speaker 1 (00:07): Gonna be another one of these ones. Pissing me off. Speaker 2 (00:12): I think that's what it is about these ones. Speaker 1 (00:16): Look at this little piss ant. Piece of bird. Speaker 3 (00:21): Piss. Speaker 1 (00:23): And crap. Speaker 2 (00:24): I guess what happens is a literal piece of bird piss will walk in here on two little twigs he calls legs and try to do my show with me. And I just gotta go... Another one of these ones pissing my ass off. Speaker 1 (00:42): You come in here to my show? Speaker 2 (00:46): Hayes, take it easy. He's not worth it. Speaker 1 (00:49): What the hell? Speaker 2 (00:49): You're not worth it, you little bird piss. Speaker 4 (00:53): I hate having my heart broken at 10 a.m. Speaker 1 (00:56): Okay. Speaker 2 (00:57): And now he's going to play the sympathy card. Yeah, it's this very familiar sound, right? Speaker 4 (01:07): What is that? Speaker 2 (01:08): Oh, it's the world's smallest violin playing just for Whitmer Thomas. Speaker 1 (01:12): It's so small. Speaker 2 (01:13): It's so small I can't even hear it. Although when you're around, I seem to hear it a little more. Speaker 1 (01:18): Wouldn't it be like this? What are you doing with the other hand? Speaker 4 (01:23): It's the world's smallest violin. I'm holding the violin under my chin. Speaker 2 (01:27): It's too small for that. It's obviously too small for that. Speaker 3 (01:33): The bow is stuck to one finger and the violin is stuck to the other. Speaker 1 (01:38): I guess the world's smallest violin would have to be a viola. Speaker 4 (01:41): You need to think more before you make stuff up like that. Speaker 3 (01:43): And what's happened on the screen here? Why am I seeing footage of the chairs, but I'm not in them and nobody else is either? Speaker 1 (01:50): It's paranormal activity! Have I suddenly become a vampire? It's paranormal activity! Speaker 2 (01:54): Get a shot of that screen! Speaker 1 (01:57): Somebody get a shot of that screen. Speaker 4 (01:59): You know what that is like? It's back rooms. Speaker 2 (02:02): So you said you wanted to come on and talk about back rooms. Speaker 1 (02:05): Is that what back rooms is? Speaker 4 (02:06): It is just like back rooms. Speaker 2 (02:08): And Kevin texted me and he said, this fucking bird piss motherfucker wants to come back on the show. Speaker 1 (02:13): I said, why? Speaker 2 (02:14): He's promoting something. He said, no, he just saw back rooms. He wants to discuss it. Speaker 1 (02:18): He's friends with back rooms. Speaker 2 (02:19): So it's liminal spaces? Speaker 4 (02:20): I can't stop thinking that corner over there is like back rooms a little bit. Speaker 1 (02:24): I can't stop thinking about how everything is back rooms. Yeah. Now this is your best friend. Speaker 2 (02:29): Liminal spaces are some of the trippiest kinds of spaces that exist. Speaker 1 (02:35): To put that on film? Forget it. An abandoned mall? Speaker 4 (02:40): I don't want to freak you out, but it gives me the heebie-jeebies. Speaker 1 (02:44): Okay. Speaker 2 (02:46): We actually asked you not to use that term here. Speaker 1 (02:48): I'm sorry. I'm sorry. Speaker 4 (02:51): But it does give me the heebie-jeebies. Speaker 3 (02:53): You have a special about how you're the first guy to ever have friends before. Speaker 1 (02:57): Congratulations, by the way. Thanks. Speaker 2 (02:59): With special, I'm the only one with three friends. Speaker 1 (03:02): There's four. Okay, well, one of them didn't seem that close. He's my brother. Speaker 2 (03:08): I was going to say, I'm not sure we're counting him. Yeah, I was surprised that that was an angle. Speaker 4 (03:16): Let's see, how many friends do you have? Count them. Speaker 2 (03:19): Well, just the one here. And Richie and I are actually making some inroads. Speaker 1 (03:24): Okay. Speaker 2 (03:24): I would say that we are very close acquaintances at this point. Speaker 4 (03:29): Okay. Speaker 1 (03:30): We met his entire family. Speaker 4 (03:32): I met your kid's flip chinter. Speaker 1 (03:40): That is not his kid's name. Speaker 4 (03:42): No. Speaker 1 (03:43): That is a move he can do. Speaker 5 (03:44): Yeah. Speaker 1 (03:45): He can do a flip chinter. Speaker 4 (03:46): Oh. Speaker 1 (03:49): And he is. Speaker 3 (03:49): Sometimes referred to by that name because it is such a famous move. Speaker 4 (03:57): The flip chinter. I thought it was named after your kid's flipping chinter. Speaker 1 (04:02): No, it's one kid that does one move. It's one huge kid. Speaker 2 (04:08): I understand why you think it's two. Speaker 1 (04:10): The kid is enormous. Big kid. I got a really big kid. Who are the friends? Bud. Clay. Jeremy. Speaker 2 (04:26): I notice he doesn't come with you anymore, Clay. Speaker 4 (04:29): Yeah, he's too serious now. Speaker 1 (04:31): Yeah, he did get really serious. It happened during one of our episodes. Speaker 4 (04:38): I gotta listen to that. Speaker 1 (04:39): Bud, Clay, Jeremy. Speaker 4 (04:40): And my brother, Johnny. Speaker 1 (04:42): And your brother. I hear Rod's coming out with a special, you know what it's called? Speaker 4 (04:45): What? Speaker 1 (04:45): I guess I'll go fuck myself, though. Speaker 4 (04:48): Rod wouldn't even come to the premiere even though he's in it he is in it but he's like mysterious in it he's sitting on the side of the stage but no he wouldn't come to the premiere because he had another vacation planned. Speaker 3 (04:58): Okay so that's why i was able to get an invite yeah as many as 90 minutes ahead of the of the event. Speaker 4 (05:05): Did i is that did i know you didn't a lot of my friends didn't get invites meet your. Speaker 3 (05:11): Comes on the show you should come You should come to the premiere. Speaker 1 (05:15): That felt terrible. Don't tell me what I should do. And also, I haven't been invited. Speaker 2 (05:21): You know what feels even worse to me? I was not a part of that conversation. I'm just finding out now that she told him he should come. She didn't tell me that I should. Well, she. Speaker 4 (05:34): Doesn't know. She bonked her head earlier that day. So it made her go. Speaker 1 (05:39): That actually explains the episode. Yeah, it explains a lot. She really bonked the ship. That helps me. That helps me. Speaker 4 (05:45): I mean, there's a whole other page of celebrities. Like, y'all, I put nothing but celebrities on one page, and none of the celebs got invited because she didn't know that. Speaker 1 (05:52): You did a whole Google Docs page. Speaker 4 (05:55): I'll be honest. Speaker 1 (05:56): I got invited. It's a different tab. What? Yeah. You did? Speaker 2 (06:01): I'll be honest. I got invited. Speaker 4 (06:03): Well, that's because you were on the normal guy page. Speaker 1 (06:05): No offense. Speaker 4 (06:06): But Hayes was on the celebrity page. Speaker 1 (06:07): Oh, okay. Speaker 4 (06:08): Because he wrote for Brink. Speaker 1 (06:12): Yeah. Yeah, he was on Brink. Yeah. Speaker 2 (06:14): I think about Brink a lot. Speaker 1 (06:16): I had a cup of coffee on Brink. Speaker 4 (06:19): How often do you think about Brink? I think about it a lot. We don't have to talk about Brink. Brink on the brain. Do you remember the rollerblading movie Brink? Speaker 3 (06:29): Yes, that's actually the only one that is called Brink. The show is called The Brink. Speaker 1 (06:36): Oh, sorry. Well. Speaker 2 (06:39): You know what Hayes said when they said, we want you to write on the brink? He said, back up the brinks. Speaker 1 (06:45): Beep, beep. Speaker 2 (06:47): No issue for me. Speaker 1 (06:48): You know what to do. Speaker 4 (06:49): When I get an offer to do something, I say, beep, beep, beep. Speaker 1 (06:52): Beep, beep. Speaker 4 (06:53): Because I'm, let's bring them. Speaker 1 (06:55): Beep. Back it up. Speaker 4 (06:56): Back up the money. Speaker 1 (06:57): Mm-hmm. Yeah. Speaker 4 (06:59): Yeah. Speaker 6 (07:00): All right. Speaker 2 (07:00): Well. Speaker 1 (07:01): Okay. Speaker 6 (07:02): Okay. Speaker 2 (07:03): So the special is about having four friends, I guess. Speaker 4 (07:07): Well, one's a brother. Speaker 2 (07:09): Yeah, three friends and a brother. What's so funny about that? Speaker 4 (07:15): My friends do the craziest things. Speaker 2 (07:17): They're insane, huh? And you've known them since you were a kid? Speaker 4 (07:20): Yeah. Speaker 2 (07:22): How's that even happen? Speaker 4 (07:23): You just sometimes when you're a kid, you meet boys. Speaker 1 (07:26): Okay. Speaker 2 (07:26): So you know someone, a couple guys. Speaker 4 (07:29): You meet a couple guys. Speaker 7 (07:31): Yeah. Speaker 4 (07:31): You go, I like. I like what you're tossing my way. Speaker 1 (07:35): That I understand, but then what happens? Yeah. Speaker 4 (07:39): You just keep doing it. And you try to keep thinking of ideas to hang out based on. Speaker 1 (07:47): And that's a whole, that's a special. What about you have to go home? Speaker 2 (07:51): Yeah, what about at night? Speaker 1 (07:52): Well, you go home and you call them. You call them. Speaker 4 (07:55): And tell them Roadhouse is on again. They want to watch it while we sit on the phone and we don't talk, but we are watching it. Speaker 1 (08:02): Okay. Speaker 4 (08:03): That's your brother? Speaker 1 (08:04): You're calling your brother? Speaker 4 (08:06): No, he's usually sitting there. Speaker 1 (08:08): Okay. Speaker 4 (08:09): Or he's in his room. Speaker 1 (08:10): Okay. Speaker 4 (08:12): Jacking off with a girl. Speaker 1 (08:15): Jacking off with a girl. Speaker 2 (08:16): With a girl's body. Speaker 1 (08:18): Oh, using a girl. Speaker 2 (08:21): The girl becomes sort of a sleeve or something. Speaker 1 (08:25): That's nice. That's a really nice way to put it, wit. Speaker 4 (08:28): That's what he used to tell me. Speaker 1 (08:29): What a nice way to talk about that. Speaker 2 (08:31): Well, because we are Christian and he didn't want to lose his virginity. Speaker 4 (08:34): So he would jack off with it. Speaker 1 (08:36): It doesn't count. Jack off with a girl. Speaker 6 (08:37): Yeah. Speaker 1 (08:38): Beaten ain't cheating. Speaker 4 (08:40): People say it's anal, but it's really... Anyway, I know you don't like talking about that stuff. Speaker 1 (08:49): No, it's great. Speaker 2 (08:50): As long as we're describing it in a respectful way. Speaker 1 (08:52): We wanted.... Speaker 2 (08:54): We wanted to have you on the show and we knew we'd cover a wide variety of topics. It is, after all, a free-flowing conversation that occasionally touches on mature subjects. Speaker 1 (09:04): We knew we were having an HBO guy on. Speaker 2 (09:07): And so they're allowed to do anything. It's sort of the real sex episode of Hollywood Handbook where we. Speaker 1 (09:14): Get into. Speaker 2 (09:16): Jacking off with a girl. Speaker 1 (09:19): With a girl's body. For Jesus. Yeah. Speaker 4 (09:23): Just to be clear. They're not jacking off together. She's not. She's. We don't talk about it anymore. Speaker 2 (09:31): The friction is provided. Speaker 4 (09:35): She might be getting something out of it. And if not, I'm sure my brother would get her off right after. He's a good guy. Speaker 2 (09:44): What's he doing to achieve that? Speaker 1 (09:46): Throw up. Speaker 4 (09:48): I don't know what he's doing. Speaker 1 (09:49): Yeah. Speaker 4 (09:50): There's no way to really know. Speaker 2 (09:52): Nobody does. Speaker 4 (09:55): Women are mysterious. Speaker 1 (09:57): So what happened? What are you doing here? The special is over. Yeah, didn't the special happen already? It did. Speaker 4 (10:03): Because I need more people to watch it. Speaker 1 (10:05): What are the numbers? Bad. Okay. Speaker 4 (10:08): Wow. Speaker 1 (10:08): But it works for my narrative. Speaker 2 (10:10): Well, the disappearance makes sense. Speaker 4 (10:12): Yeah, toss me on here. Speaker 1 (10:13): Toilet time, huh? Speaker 4 (10:14): Get me a couple more little, what are your fans called? Little fuckers? Speaker 1 (10:20): Our fans are aspiring little fuckers. Speaker 4 (10:23): Okay. Speaker 1 (10:24): Yeah. Speaker 4 (10:24): I need the little fuckers. Speaker 2 (10:26): To tune in. We're trying to get them up to. Speaker 1 (10:30): The level of little fuckers. Speaker 4 (10:33): Right now, they're just aspiring. Speaker 1 (10:34): That's their dream. Speaker 4 (10:35): What do you got to do to be a little fucker? Because it's kind of like a little stinker. Speaker 3 (10:41): If I'm one of the aspiring little fuckers, I'm listening to this and thinking, why is my Why am I being interrogated here? Speaker 1 (10:49): Why am I on trial? Yeah. Speaker 2 (10:51): Doesn't he want something from me? Yeah. Shouldn't he be playing to me, not sort of investigating me and my motives? Speaker 4 (11:02): Well, I'm trying to figure out how to, like, crack the algorithm, I guess. Speaker 1 (11:05): He wants me to sit down, which hurts for me to do. Speaker 4 (11:09): Because they don't ever have butts. Your fans. Speaker 1 (11:13): They? Speaker 4 (11:14): They don't have butts. They have flat asses, I mean. Speaker 7 (11:17): They? Speaker 2 (11:17): They? Speaker 3 (11:18): It is a community and they share like a collection of butts. Speaker 4 (11:29): How do you mean? Speaker 1 (11:30): They have a place that they can go that has a butt there. Speaker 2 (11:40): Everyone gets to sit into the butt, walk around, feel what that would feel like. Then they go home with essentially a flat piece of cardboard, you know. Speaker 1 (11:49): At the top of their legs. Speaker 4 (11:52): That's really sweet. Speaker 1 (11:55): Yes, it is. Speaker 2 (11:56): They are actually really sweet. They're a really nice community and they don't deserve your disdain or mistreatment or judgment. Speaker 1 (12:04): You know what it sounds like when they sit down? Speaker 4 (12:12): I feel really bad for judging them. And I just want to say I'm sorry. And I'm the type of guy who will say sorry. Speaker 2 (12:20): I'm the type of guy who eats dessert first. Speaker 4 (12:23): That's cool. Speaker 2 (12:27): And sometimes I skip the entree. Speaker 7 (12:30): Wow. Speaker 1 (12:32): So it's dessert. Then apps. Did Clay direct it? Speaker 4 (12:43): Me and Clay did, but Clay has a beard and glasses. Speaker 1 (12:46): Not just Clay, me too. Speaker 2 (12:47): So everybody thinks Clay's the leader. Speaker 4 (12:49): Of the group because he looks like Steve Spielberg. Speaker 1 (12:52): What was that conversation like? Speaker 4 (12:53): I said, Clay, you're not the leader of the group. Speaker 1 (12:55): I'll kill you. Oh, my God. Speaker 4 (12:57): Well, I can't. Speaker 3 (12:58): And then you go in there and sing about being friends. Speaker 4 (13:01): I think about killing him all the time. Speaker 1 (13:03): Yeah, me too. Speaker 4 (13:05): Ending him. Speaker 2 (13:05): I don't know if I thought about it once it would be done. If I actually allowed myself to fully... congeal the image of killing Clay, he wouldn't be around anymore. So I have to keep those thoughts at bay because as soon as the plan is formed, I have no choice but to execute it and to execute him. Speaker 1 (13:26): Okay. And I like Clay. Speaker 4 (13:29): But it'd be fun to kill him. Speaker 2 (13:31): It's not. Speaker 1 (13:32): For me.... Speaker 2 (13:35): I don't think about it in terms of like, this is fun, this is boring. All I think about is I am a force who achieves my goals. If I visualize something, I make it a reality. I'm the kind of dreamer, my dreams just exist in the world. I get to walk right into them. I'm dreaming while I'm awake, brother. (14:00): Sweetest thing in the world. And if that dream happens to involve murdering your friend Clay, one of your three friends, I might add, and a brother, well, then you're going to be walking around in that dream too. Speaker 1 (14:13): Up to your neck in blood. Damn. Speaker 4 (14:18): Clay's does got a lot of blood. Speaker 1 (14:20): Right? Yeah. Speaker 4 (14:22): You can tell just looking at him, he's got a lot of blood in him. Speaker 1 (14:25): That fool is a bag. Speaker 4 (14:27): He's a sack of thick blood. Speaker 1 (14:29): Oh, yeah. Speaker 4 (14:30): He's got molasses in there. I don't wish to kill Clay. Speaker 2 (14:37): I just was with you. Speaker 1 (14:38): Yeah, yes. I was with you. Speaker 2 (14:40): The big sack of blood. When we got to molasses. Speaker 1 (14:45): That felt like a different idea. Yeah, I thought it was blood in there. Speaker 4 (14:49): What is molasses? It's like sugary something? Speaker 1 (14:52): Yeah, so you do know what molasses is. Speaker 2 (14:54): Okay. Speaker 1 (14:54): Yeah, so that's different from blood. Speaker 4 (14:57): There's too many rules to being friends with y'all. You got all kinds of rules. You gotta know exactly what molasses is, and then if you kinda know what it is, you get mad at me. Speaker 3 (15:07): Let me tell you one of the rules you forgot. Speaker 1 (15:09): What? When you're friends with us, you talk about it. On TV. Speaker 2 (15:14): Part of the special should be these guys used to be my friends when I was a kid. Then I upgraded. And so the lights would dim and then those guys would get wiped off the stage. Maybe somebody come in, a bunch of soldiers or something, come in and execute them. And then you go, and. Speaker 1 (15:34): Now here's my real friends. Speaker 4 (15:37): And y'all burn it, burn it. I say, this is Sean C and Hayes D. And do y'all play any instruments? Speaker 2 (15:46): I'm working on it. Speaker 1 (15:47): I sing and play guitar. Yeah. Speaker 2 (15:49): So I sing as well. Speaker 1 (15:51): Wow. Speaker 2 (15:52): And he plays guitar for me. Speaker 1 (15:55): Cool. Speaker 2 (15:56): Mm-hmm. Speaker 4 (15:57): I like you say he plays guitar for me and you said he's my guitar player. Speaker 1 (16:01): Mm-hmm. Yeah, that's right. Speaker 4 (16:02): He plays guitar for me. Speaker 1 (16:04): Yeah. Speaker 4 (16:05): That's cool. Speaker 2 (16:06): Sometimes just for me to listen, sometimes for me to sing along to. Speaker 4 (16:09): And what kind of songs do you like to sing? Oh. Wait, it sounded like you were about to sing a song. Speaker 1 (16:17): Oh, no. Speaker 2 (16:21): Oh. Speaker 4 (16:22): That kind of. Speaker 2 (16:25): Oh. Speaker 4 (16:25): That's cool. Speaker 1 (16:26): My plan is to hire Goldeneye to kill Clay. Speaker 2 (16:29): He's a big fat bitch. He's twice the size of me. His name is friggin' Wit. He has friends, count them, three. Speaker 1 (16:37): What the hell? Speaker 2 (16:38): He did a special and he got up on the stage, but he forgot about me and my friend Hayes. Speaker 1 (16:45): All right. That was really good. Can you imagine the guitar part of that? Speaker 2 (16:49): And then the guitar is just. Speaker 3 (16:51): It's a truck. Richie, what happened over there? Speaker 4 (17:03): It's kind of like a metal song that an old man would sing at a bar when he's had a few too many. With a chuggy kind of thing. Maybe one of your fans can make it. Speaker 2 (17:15): We made it. Speaker 1 (17:16): We made it. And we are our biggest fans. Speaker 2 (17:19): We wouldn't do the show if we didn't love our own shit. Speaker 4 (17:21): Okay, you're right. Speaker 1 (17:22): Where did you make the special? Speaker 4 (17:23): At the Highland Park E-Bell. It's like a wedding venue and the air conditioning broke. And if you watch it, one day, you'll see that it's hot and the audience thins out about 70. I'd say 25% of them are gone by the end of the show. Speaker 2 (17:43): I watched the first special. Speaker 1 (17:44): I enjoyed it. Speaker 2 (17:47): I was not told that there was going to be homework after. Speaker 4 (17:51): Six years later, watch another one? Speaker 2 (17:53): Yes, to watch another special. No one told me I was going to have homework at the. Speaker 1 (17:56): End of it. Speaker 4 (17:57): Yeah, I'm sorry about that. Speaker 2 (17:58): To watch another special six years later. Speaker 4 (18:01): I do more funny voices in this one. Though I think you might appreciate that. Speaker 2 (18:06): Are any of the funny voices in the room with us right now, Whit? Speaker 1 (18:10): Yeah. Speaker 6 (18:12): I think you need to. Speaker 1 (18:14): Wait. Speaker 6 (18:15): Yeah. Speaker 1 (18:15): Wait. Speaker 6 (18:16): What the hell? Get over there now, dude. Speaker 4 (18:20): Dude. Speaker 6 (18:22): I think you need to get your head right. Go to the bank and get me some cash. Speaker 4 (18:28): That's like a story I tell. Speaker 5 (18:31): Is that? Speaker 1 (18:31): And who is that? Speaker 4 (18:32): That's mine. My aunt. Speaker 3 (18:35): And so that's why Bud is in, because I know he, I see him laughing at funny voices all the time now. Speaker 4 (18:45): He kind of encourages me. Speaker 1 (18:46): Who's that lady? Speaker 4 (18:47): That's my aunt. Speaker 1 (18:49): No, that Bud is working with. A lady, she's. You don't even know your friend's life like I do. Speaker 4 (18:57): Bud is working with. Speaker 1 (19:01): Who's the lady that does impressions and she was on SNL? Speaker 4 (19:04): Oh, Melissa Villanueva. Speaker 1 (19:06): Yes. She sounds like that. She can do that. But she can do others too. She can do crazy. You can't do any more. Speaker 4 (19:14): Hold on. Speaker 1 (19:15): I can tell. Uh-oh. I've seen that face. I've seen the face. I've seen you do that face where it's not a voice. Speaker 2 (19:26): There's not a voice. Speaker 1 (19:27): So I said that you couldn't do anymore, and I knew you weren't going to. Speaker 4 (19:29): Ask me how I'm doing. Speaker 1 (19:31): How are you doing? Speaker 4 (19:32): Let's just say I'm doing so good that I'm shining. Ask me another one. Ask me another question. Speaker 1 (19:42): Okay. What did you have for breakfast? Speaker 4 (19:45): I had eggs, and they were as good as it gets. Speaker 3 (19:48): What? I can do this all day you cannot do as many as that lady can do she can do way more than you she's really good at it and you're not that. Speaker 4 (20:06): Good I can do another one um She does Owen Wilson. Speaker 1 (20:11): Okay. Speaker 4 (20:12): This is Owen Wilson, but he's lost his voice. Speaker 1 (20:14): Okay. Okay. Speaker 3 (20:15): Come on. What the hell? Speaker 4 (20:18): What? Speaker 6 (20:19): Come on. Speaker 2 (20:20): Hey. Speaker 1 (20:21): Wow. Speaker 2 (20:22): Yeah. Speaker 3 (20:26): I think hers are better because the guy is talking in hers. Speaker 1 (20:29): One of your. Speaker 2 (20:30): Funny voices is someone who's lost his voice. Speaker 1 (20:32): Yeah. Speaker 2 (20:35): If that counts, I can do so many. Speaker 1 (20:39): Like what? Speaker 2 (20:41): Well, who's a celebrity you'd like. Speaker 1 (20:43): To hear an impression of? Speaker 4 (20:44): Callum Turner. Speaker 1 (20:46): Here's good. Callum Turner, but he lost his voice. Speaker 2 (20:51): Bond. Speaker 1 (20:54): James Bond. Speaker 4 (20:59): There should be a James Bond movie where he lost his voice. Speaker 1 (21:01): He is going to be James Bond Goldeneye. Really? Speaker 2 (21:05): They're running it back with Goldeneye. Speaker 1 (21:06): Mm-hmm. He's going to be James Bond. Speaker 2 (21:08): And he plays his own video. Speaker 1 (21:09): Game in the movie. Speaker 4 (21:11): Shit, so it's like a meta. Speaker 1 (21:12): He's going to be doing this time. Goldeneye Secret Service. Speaker 2 (21:17): So he's Kingsman Golden Compass. Speaker 4 (21:19): And he's American. Wait, is Secret Service exclusive to America? Speaker 1 (21:26): They can't tell you. Speaker 3 (21:27): Yeah, that's why they call it On Her Majesty's Secret Service because it's so American. Speaker 1 (21:32): You fool. Speaker 4 (21:34): I can't do anything right with these two. If I would have had y'all in this special, I would have gone, why do all birds sound the same? And then you would have gone, don't. Speaker 1 (21:44): Guess we'll never know. Speaker 4 (21:45): You would have gone, stop. Speaker 1 (21:47): You don't know what I would have done, and you never will. Speaker 4 (21:49): You wouldn't have been smacking your knee like Bud. Speaker 1 (21:54): That's true. Yeah. Speaker 4 (21:56): Next time, when y'all ever watch it, watch him and see how much he's looking for stuff back there. Speaker 1 (22:02): Mm-hmm. Speaker 4 (22:03): We had to edit around him looking for stuff. Speaker 1 (22:06): He's like, he like dropped something. I don't know. The drummer always has to be doing that. The drummer always has to be like. Speaker 4 (22:12): That's what he's doing. I'll never look back here before. Let's see what that's all about. Speaker 1 (22:17): Yeah. Speaker 4 (22:18): Like a little baby. Speaker 1 (22:19): You're very exposed back there. Yeah. You know? Yeah. Speaker 2 (22:23): Well, it feels like you're safe. Like you're in a little fort because you've got your drum kit, you know? And so it feels like you're protected, like you're a secret. But we can actually see through. Speaker 1 (22:33): A lot of it. Speaker 2 (22:34): So people don't realize. Speaker 1 (22:36): That when they're at the drums. Speaker 4 (22:37): Basically waist up, we can see all that. Speaker 1 (22:40): And you're always kind of back there. You're back there in the middle. Yeah, bonking on stuff. Speaker 4 (22:45): It's embarrassing to be a drummer just like bonking on stuff for money. Paid to bonk on little things. Speaker 1 (22:54): Laughing at some guy. Speaker 4 (22:56): Let's see. What could he be laughing at? Speaker 1 (22:59): Slapping your knee, like you said. Speaker 7 (23:01): Yeah. Speaker 4 (23:02): What could he be laughing at? Why don't you ask me another question? Speaker 2 (23:06): Oh, you want a question from me for you? Speaker 4 (23:08): Yeah. Speaker 1 (23:09): All right. Speaker 4 (23:09): That's not for me, but I would like another question. Speaker 3 (23:12): All right. Speaker 2 (23:13): Let me ask you a question. Why are you like this? Speaker 4 (23:18): Well, because I like to have fun and I like to dance. Be myself. Speaker 1 (23:27): Who's that? Speaker 2 (23:27): I think it's Billy Crystal. Speaker 1 (23:30): You do? Speaker 2 (23:30): Yeah. Speaker 4 (23:32): Like, hey, let's go over there where I can be myself and I can dance. Speaker 1 (23:39): Oh. It's Borat's friends. Yeah, that's what I was getting to. No. Speaker 4 (23:46): No. You're so wrong. Why don't you clean the crap out of your ears and listen one more time? Speaker 1 (23:52): Okay. I'm getting a call from City Hall. That's awesome. This is a shock. Let's see. Speaker 3 (23:57): Okay. Speaker 2 (23:59): Hello, is everything okay? Speaker 1 (24:03): Hello? Hello? Speaker 7 (24:05): Good morning, Sean. Speaker 1 (24:06): Good morning. Speaker 7 (24:07): This is Nicole with Member Services. How are you doing today? Speaker 2 (24:10): Member Services at City Hall? I didn't lose my membership to the city, have I? Speaker 7 (24:17): You're speaking with the right person. I just need a couple quick details first. Speaker 2 (24:21): Thanks. Speaker 1 (24:22): Anything you need. Speaker 7 (24:24): Because the information we. Speaker 1 (24:26): Thanks. Speaker 7 (24:27): This will just take a moment. I'm calling because the information we received shows you've been making payments on your credit cards on time. Speaker 2 (24:34): That feels really good to hear. Speaker 7 (24:36): Okay, thank you. Thank you. Speaker 1 (24:42): That's actually good. Speaker 2 (24:42): Okay. Speaker 1 (24:43): Because it means you. Speaker 2 (24:45): Sorry, I interrupted you. It feels like it really throws you off when I interrupt you. What I'm going to do is just let you speak, starting now. By the way, you're on Hollywood Handbook. Oh? Speaker 7 (25:01): To help us determine how much you currently owe on your credit cards combined, could you give. Speaker 2 (25:05): Me a ballpark? Speaker 1 (25:06): Has she heard of the show? Speaker 7 (25:07): Like $ 10, 000, $ 20, 000? $ 200, 000? Can you tell us roughly how much you owe? Unfortunately, our program can only handle debts up to $ 150, 000. Speaker 1 (25:19): Ah, damn, you got the wrong guy then. Do you know the show? City all has changed, man. Speaker 2 (25:31): They were actually trying to be helpful. Speaker 1 (25:34): You came really close to sealing that one. You were only, I mean... I was going to get some help with my dad. You almost had it. Speaker 2 (25:44): I know, but I, of course, was low-balling her just to kind of get her on the hook. Speaker 1 (25:50): But then I was going to want help with the full Millie. Well, anyway, sorry, Whit. Speaker 2 (25:56): I know it's your episode, but when City Hall calls. Speaker 4 (25:58): I get it, man. Speaker 1 (26:00): I get it. Speaker 2 (26:00): Speaking of City Hall, do you do Pacino? Speaker 4 (26:02): Well, you got to ask me a question first. Speaker 1 (26:08): It is true with all these celebrities. Speaker 3 (26:10): They really refuse to speak unless prompted. Speaker 1 (26:14): Yeah. It's so true. Speaker 2 (26:15): They're only speaking in interviews and stuff. Speaker 1 (26:17): To the impression, they just kind of sit down in these interviews like. Speaker 2 (26:21): It's like, okay, you come to me. Speaker 1 (26:23): You know what I mean? Speaker 2 (26:24): They're not offering anything. Speaker 4 (26:25): It's what makes them cool and mysterious. But no, seriously, ask him a question. Speaker 1 (26:32): What's your favorite food to eat today? My favorite food? Speaker 4 (26:38): I'll show you right now. Speaker 3 (26:42): It's bacon. Speaker 4 (26:44): Bacon, when I eat it, it keeps me cruising through the day. Speaker 1 (26:49): Hey. Hey. Speaker 2 (26:56): You're both weird. Speaker 1 (26:58): I get this. Hey, but it's okay. Tone it down a little bit. Speaker 6 (27:04): It's okay to be weird. Speaker 1 (27:06): Not the impression. Some of the content. The way that we're being treated by the impression. Speaker 4 (27:12): That's not me. Speaker 2 (27:13): I like to imagine that Al Pacino would be a little nicer to me. Speaker 1 (27:16): All right. Sorry. Speaker 4 (27:17): Had to have a sip of water. That makes me nice. Speaker 2 (27:19): That makes me nice. Speaker 4 (27:22): That's really good water, guys. Did you make that yourself? Speaker 1 (27:27): No. Speaker 4 (27:28): If you did, that's okay. Speaker 1 (27:31): We didn't. Speaker 4 (27:32): It's okay if you did. Speaker 6 (27:35): Hey, hey. Speaker 4 (27:36): Hey, hey, wow, the other day, I cut my face, and it looked like a scar face. Speaker 1 (27:44): Are you doing the Joker? Speaker 4 (27:47): You want to know how I got this cut on my face? Speaker 1 (27:49): Hollywood Hamburg. Hollywood Hamburg. Speaker 4 (28:00): That sucks. Speaker 1 (28:00): You are really good at this. Yeah. Speaker 2 (28:02): Unfortunately, we found out that Via Senor has got. Speaker 1 (28:06): Somebody right on her tail. Speaker 4 (28:08): That sucks. Speaker 1 (28:09): He's so good. No wonder Bud hangs out with you. Speaker 4 (28:13): It's always just been right there. Speaker 1 (28:14): He can play a song. He can beat anyone. Mr. Everybody. Speaker 3 (28:19): And he's cutting up the band the whole time. Speaker 1 (28:25): The band's falling out. Yep. Speaker 4 (28:28): They're falling down. because of how hard they're laughing. God. They're falling on their assholes. Speaker 1 (28:34): That sucks. Speaker 4 (28:36): Why does it suck? Because you're jealous? Speaker 2 (28:40): I'm jealous of your abilities. I'm not jealous of falling on my assholes. That actually doesn't sound good to me. Speaker 3 (28:50): I'm jealous of being good at it, doing it on TV, people liking it. Speaker 5 (28:56): Mm-hmm. Speaker 1 (28:58): Having all your friends there. Speaker 2 (29:00): People want to see it. They're actually coming, talking to you about it. They're watching it. People are laughing. Being good at it. Speaker 1 (29:10): Having people there. Speaker 4 (29:11): All the same stuff? Speaker 2 (29:14): Well, it's variations on a theme, I suppose. Speaker 3 (29:18): Wouldn't it be weird if every single thing he was jealous of was different from mine? Speaker 1 (29:26): It would be. Speaker 3 (29:28): Wouldn't that be strange? You say like all the same stuff. Like you want every single thing to be different. Speaker 4 (29:34): I can't do anything right on here. Speaker 2 (29:37): You, we just spent. like five minutes glazing your ass over the Pacino impression and now it's immediately I can't do anything right I think in fact you can't get any criticism at all without playing the victim. Speaker 4 (29:53): Card yeah I guess you're right I do need to work on that and I will thanks y'all Thanks for holding me accountable. Speaker 1 (30:02): Skateboarding, he can jump. I've seen him jump. I've seen him spin the board. I've seen him roll the board. I've seen him bounce on it. Speaker 2 (30:11): I've seen him bounce on that thing. Speaker 4 (30:14): Sean? Speaker 1 (30:15): Come on. Not again. Damn. That was awesome. Speaker 6 (30:19): Yeah, damn. Speaker 1 (30:20): Maybe next time I'll be on that stage. The entire thing was my idea. Speaker 4 (30:24): The skating part of it? Speaker 1 (30:25): I said bounce first. Speaker 4 (30:27): But we added thang. Speaker 1 (30:30): That was crucial. Speaker 7 (30:32): Yeah. Speaker 1 (30:33): The thing. So stupid. Speaker 2 (30:34): The thing really pulled the whole idea together. Speaker 4 (30:39): People driving around listening to this right there. They went like this with their hair. They went. Because that's where it got interesting. Speaker 1 (30:47): Okay. Speaker 4 (30:47): When I said thing. Speaker 1 (30:48): Their hair was over their ear. Speaker 2 (30:50): Well, the two of us said thing. Speaker 5 (30:52): Yeah. Speaker 1 (30:52): It's nothing. Speaker 4 (30:54): Should we all grow our hair out? Speaker 1 (30:56): Huh? Speaker 4 (30:57): Should we all grow our hair out? Speaker 2 (30:59): Ah. I was considering actually all of us growing our hair out as well. Speaker 4 (31:04): I feel like it'd be funny next time I'm on here. Speaker 2 (31:07): So the next time you're on, what is it going to be, six years? Speaker 4 (31:13): Hopefully not. Speaker 1 (31:14): So wait, Clay has short hair, right? Yeah. And so does Bood? Yeah, Bood. What about Brother? Speaker 4 (31:22): His hair's kind of short right now. Speaker 1 (31:24): Okay. And Jeremy hair? Speaker 4 (31:27): Jeremy's hair's long. Speaker 1 (31:28): Okay. Okay, so Jeremy's the one we gotta take care of. Speaker 4 (31:31): It won't be hard. Speaker 1 (31:34): It won't. Mm-hmm. Speaker 4 (31:36): Like, I wanna kill Clay, but if I... But Jeremy'd be easier to kill. Speaker 1 (31:41): You have to try not to kill him. Yeah. Speaker 5 (31:43): Mm-hmm. Speaker 1 (31:43): Yeah. Don't even need double seven and go. Speaker 6 (31:46): Mm-mm. Speaker 4 (31:47): But it would be cool to have him do it. Speaker 1 (31:50): With the PP7. Speaker 4 (31:51): Mm-hmm. Remember that? Speaker 1 (31:54): That was the guns you get right away. Yes, the Walter. Speaker 7 (31:57): What? Speaker 4 (31:58): Is that the actual name of it? Speaker 2 (32:00): Maybe we call our friend group the PP7. Speaker 1 (32:07): No. Speaker 4 (32:07): PP7 is what I call my. Speaker 1 (32:11): Your tongue. Speaker 4 (32:14): You know what it is. Speaker 1 (32:16): Come on now. Speaker 4 (32:18): You can say anything you want as long as you do that right after. Speaker 1 (32:20): Oh, yeah. Speaker 2 (32:22): You can get away with literally anything. I like to say the most fucked up dark stuff I can think of. Speaker 4 (32:28): Me too. Speaker 2 (32:28): And people are looking. I give it just a moment, just a beat of them being like, holy shit. Speaker 1 (32:34): Did this dude really just said that? And then I go. He's a crazy guy. Yeah. He's a crazy guy. Yep. They love it. They love being taken right to the edge like that. Speaker 2 (32:45): Oh my God. Speaker 1 (32:46): They love being a little scared. Speaker 2 (32:47): The tiny eyedropper of danger that we inject into their lives. Speaker 7 (32:52): Is it real? Speaker 2 (32:53): It's part of why so many people want to be friends with us on stage in their specials. Haven't gotten the exact right offer yet. Speaker 1 (33:00): Well, okay. Speaker 4 (33:01): To be fair, I asked how much could I Venmo you to get you to come onto the stage. Speaker 2 (33:09): That's all we're asking most frozen that's all we're asking for you heard the city hall call my vedmo is. Speaker 3 (33:16): Currently non-operational damn it's been internationally frozen. Speaker 4 (33:20): That's too bad man what what um purchase caused it to be frozen. Speaker 1 (33:30): Um It's usually not a one purchase deal. Speaker 2 (33:35): I'm trying to think of what pushed me over the edge to get it frozen. Certainly there were a lot of purchases leading up to it where there's a whole string of decisions that led to it being frozen. But was there one thing I bought that was actually like, this is the tipping point. Speaker 1 (33:51): As Mr. Gladwell would say. The stockyard. You don't think that was it? Speaker 2 (33:59): I probably shouldn't have ought to gone and bought the stockyard. Speaker 1 (34:02): Or a Venmo. With my Venmo. Speaker 4 (34:07): And all the baseball cards. Speaker 3 (34:10): In the memo field, you just have 700 cow emojis. Speaker 4 (34:16): Mm-hmm. How many emojis can we fit in there? Speaker 1 (34:22): We haven't found out yet. And purebred dogs. Speaker 2 (34:26): Mm-hmm. Speaker 1 (34:28): I was addicted to those things. In the same enclosure. I can't have a yucky dog. Speaker 4 (34:32): Uh-uh. Speaker 2 (34:34): I don't like that. Speaker 4 (34:36): There's nothing better than a purebred dog. Speaker 1 (34:39): Oh, my God. The ultimate status symbol. I can buy a dog. Speaker 4 (34:45): Buy a nice, clean, healthy... It's. Speaker 1 (34:48): Got an exact... I can trace the bloodline. And that is. So crucial to me. Speaker 4 (34:55): I love studying a dog's blood. Speaker 1 (34:57): Oh, yes. Speaker 4 (34:59): Making sure it's real. Speaker 1 (35:00): He probably thinks it's molasses. Speaker 3 (35:01): This guy probably thinks it's molasses. Speaker 1 (35:04): When blood comes up, he goes, ooh, molasses. Speaker 3 (35:06): I mean, the precedent would powerfully suggest that this man thinks that the blood. Speaker 1 (35:17): Is molasses. Speaker 2 (35:18): A dog's blood is molasses. Speaker 4 (35:20): Well, if it's a nice enough dog, it might kind of taste like molasses because it's sweet. Because some dogs are known to be nice and some are for being mean and biting. Speaker 1 (35:30): Well, that's what makes these dogs so unbelievably pure. Oh, my gosh. Speaker 3 (35:35): Is their blood has no platelets. None of this stuff. Speaker 2 (35:40): And their skull's too small for their brain. Speaker 4 (35:43): Yeah. Is that true? Speaker 2 (35:46): That's one of the benefits. Is that why they always got to run around with their mouth open? Speaker 1 (35:50): Of going to a reputable breeder. Speaker 4 (35:51): It's because their brain is sort of popping out their throat. Speaker 2 (35:54): It's coming out through, yeah, through the soft palate. Speaker 4 (35:57): That makes sense. So I should stop telling my dog to shut its mouth. Speaker 1 (36:08): I'm waiting for the. Speaker 2 (36:10): And I'm not seeing it. Okay, this guy's a crazy guy. Speaker 4 (36:15): Yeah. Speaker 1 (36:16): Edgy. Speaker 4 (36:16): I'm just edgy. Speaker 1 (36:17): We're having fun. People love that. Speaker 4 (36:19): Edgy? Speaker 1 (36:21): They love when the relief washes over them. It's bad. That it was all but a dream. Speaker 4 (36:25): He's going there. He's going there. Speaker 1 (36:28): It's bad. But was it? Speaker 4 (36:30): Was it real? Speaker 1 (36:30): Do I really believe that? Hold up. Are these just jokes, folks? Mm-hmm. Speaker 4 (36:34): Just jokes. Speaker 2 (36:35): Does he really think this? Is he disguising some of his real opinions behind some of the jokes? Speaker 3 (36:41): Mm-hmm. Speaker 2 (36:42): You know, these are the questions that the audience has to ask. You're challenging them, aren't you, Whit? Speaker 6 (36:47): Yeah, I am. Speaker 4 (36:47): I got another impression. Speaker 1 (36:49): Can I do it? Speaker 4 (36:49): I've never done it, ever. Speaker 1 (36:51): Let's hear it. Speaker 4 (36:51): This is Tony Pinchcliffe. Speaker 6 (36:56): The other day, I was in West Hollywood, and I thought, uh-oh, there's probably gay guys here. I'm going to pinch you. Speaker 2 (37:08): So at the end of the joke-ish episode, He pinches the audience or he threatens to. Speaker 1 (37:15): He's nervous. He's anxious about that. And that's why he said, uh-oh. Speaker 2 (37:18): Is he part crab? Speaker 4 (37:20): He's like a part of a lobster. Lobster. Speaker 1 (37:23): Okay. Speaker 4 (37:23): He looks like a freak. Speaker 2 (37:24): My mistake. Speaker 1 (37:25): Yeah. All right. Speaker 4 (37:26): Want me to do another one? Speaker 1 (37:28): Yes, please. Speaker 6 (37:30): I was eating rice the other day and I thought to myself, uh-oh, here comes a Chinese person, I bet. Gonna pinch ya. Speaker 1 (37:38): And he's gonna pinch us at the end. Okay. Okay. He's going to pinch us or the gay guy and the Chinese guy? If they're there. The audience. Speaker 2 (37:47): He's actually just nervous. Speaker 1 (37:48): He's going to pinch the audience? He hasn't seen them. All of them. Speaker 2 (37:50): The audience is getting pinched. Well, that is doing what we're talking about in terms of introducing some danger to the audience. It's very edgy to pinch the audience. Speaker 1 (37:59): Individually? Speaker 2 (37:59): Yeah. Speaker 1 (38:01): How big is the room? Speaker 4 (38:03): Huge. Speaker 1 (38:04): Wow. Speaker 4 (38:04): Yeah, he's famous. Very famous. Speaker 1 (38:06): Long time between jokes. Yeah. Speaker 4 (38:08): But people love it. Can I do another one? Speaker 1 (38:12): Oh, yeah. I insist. Yeah, please. Speaker 2 (38:16): Okay. Speaker 6 (38:17): The other day, I was eating a bagel. And I thought, better hold on tight to this one or else a Jewish guy's gonna get it. Gonna pinch ya. Speaker 1 (38:29): Okay. Speaker 2 (38:32): So there's different guys. Speaker 1 (38:33): Going back for it. Speaker 4 (38:35): Wait, going back for what? Speaker 1 (38:38): I almost feel like I need another one now to make it. I'm curious. Yeah, another one would help me. I don't know. Okay. Speaker 2 (38:47): I don't know if he knows about any other kinds of guys. Speaker 1 (38:51): Okay. Speaker 4 (38:52): Ready? Speaker 6 (38:54): The other day, I was at the fried chicken store. Oh, my God. And guess who I was thinking might be there? A black guy. Speaker 1 (39:04): Oh, my God. Speaker 6 (39:06): Gonna pinch you now. Speaker 2 (39:07): Oh. Speaker 1 (39:08): God. Speaker 2 (39:09): The pinch is a relief. Speaker 4 (39:11): Because of how fucked up what he said is? Speaker 2 (39:13): Well, just that I mean, yes, because I'm here. I obviously bought a ticket or something to this show. I feel like somebody better pinch me. Speaker 1 (39:21): I just get like Melissa is not doing this stuff. Speaker 4 (39:24): Well, that's where we're different is I do messed up stuff. Speaker 2 (39:27): Okay it's some of it is really out. Speaker 4 (39:30): There which like which one was your favorite. Speaker 2 (39:34): Which one of Tony's jokes or which one of the impressions uh Tony this is Tony Pinchcliffe But I need to know which one to close on. Speaker 4 (39:43): Or if y'all have any ideas, that'd be great. Speaker 3 (39:45): It's tough because I think it was the first one was my favorite, but only because I felt worse and worse as it went. Speaker 2 (39:53): Every single one after that felt worse. Speaker 3 (39:55): If that were the thing that you closed on, then it might be my least favorite. Speaker 5 (40:00): Gotcha. Speaker 2 (40:02): That's probably right. Speaker 4 (40:04): So it was fresh in the beginning. Speaker 3 (40:06): The closer is always going to be the one. That I don't like more than the others. Speaker 4 (40:14): Is that like the rules of comedy or is that just for you? Speaker 2 (40:18): It might be specific to this character. Speaker 1 (40:23): Bang. Speaker 4 (40:25): Well, I got other ones. One more. Speaker 1 (40:32): All right. Speaker 4 (40:33): Okay. Speaker 2 (40:33): Let's hear it. Speaker 6 (40:36): I was... I was at the taco truck. Speaker 1 (40:39): Oh, you have other jokes. There's more Tony Pinchcliffe. You have other Tony Pinchcliffe jokes. Speaker 2 (40:43): I assume there was another character or another impression. There's just another Tony Pinchcliffe joke. Speaker 1 (40:47): Oh, I got other guys. Okay. Let's do that. Speaker 4 (40:50): Okay. I just got her. Speaker 1 (40:54): Well, hang on. Who was at the truck? Speaker 2 (41:00): We're not going to get a wink of sleep tonight. Speaker 1 (41:07): Whatever. Speaker 2 (41:08): We'll talk about it after the show. Speaker 4 (41:09): I can do a lot of them. I got a lot of them. Speaker 1 (41:14): Yeah. Speaker 4 (41:15): The other impression. Speaker 1 (41:16): Yes. Speaker 4 (41:17): Rod. Rod. Speaker 3 (41:21): Rod. Speaker 4 (41:22): Elbow. Dangerfield. Rod. Speaker 1 (41:24): Elbow. Dangerfield. Rod. Elbow. It's a different joint. Dangerfield. Yep. Speaker 4 (41:33): Want me to do one? Speaker 1 (41:36): Yes. Speaker 4 (41:37): Yeah. My wife, she goes, hey, Rodelbo. It's actually pronounced Rodelbo. Speaker 1 (41:48): Rodelbo. Okay. Rodelbo Danger Meadow. Yep. Wait, what was the last? Danger Meadow. Speaker 4 (42:02): My wife, the other day, said, hey, you. My elbow. Do the laundry. Speaker 2 (42:08): Because you got shit. Speaker 4 (42:11): No, you got shit in your underwear. I said, I get no respect. Now kiss my elbow. Speaker 1 (42:18): Okay. Sound a little like Andrew Dice Play-Doh. Hey. Speaker 2 (42:26): Mm-hmm. Speaker 4 (42:35): Nice went down the clock. He said to Miss Tuffet, fuck my butt. And then some Play-Doh to make stuff with. Speaker 3 (42:47): Don't you kind of feel like... They put their names into the act more. More than the original characters did, for sure. Speaker 2 (42:54): He wasn't usually talking about Clay. Speaker 1 (42:56): I don't remember Rodney Dangerfield ever being like, now kiss my knee. Yeah, that's right. Speaker 5 (43:02): With Pinch Clay, Cliff, it kind of worked for me that he would say it was a release. I agree it didn't occur to me at the time, but Tony Hinchcliffe doesn't talk about hinching. Speaker 1 (43:15): No. After every joke. It's true. I haven't heard all of them, but I know that he doesn't say it after every joke. Speaker 2 (43:22): This actually put a little bit of a spotlight on something that maybe was. More off about that first character that I hadn't recognized. And now that I'm seeing that everyone is using their name for part of the material, I'm wondering if we need that. Speaker 4 (43:42): Well, we do. Speaker 1 (43:43): We do. Speaker 4 (43:44): And I think what we've learned here, what I've learned, is that I should probably close with Tony Pinchcliffe. Speaker 2 (43:51): You think so? Speaker 1 (43:51): Yeah. Speaker 4 (43:52): And do the other guys before that. And treat Tony Pinchcliffe as one large joke instead of a bunch of little, like, good, like, little jokes. Speaker 1 (44:01): I mean, the other thing you could do is just go back to school. Speaker 4 (44:05): What grade? Speaker 2 (44:09): Oh, this is giving me a movie idea. Speaker 1 (44:14): What is it? Speaker 2 (44:17): I want to make it with Hayes. Speaker 1 (44:20): What? Speaker 3 (44:20): Because I think the natural reaction is, like, you go back to school for, like, one grade. right yeah you just do the one okay I can tell what Sean is thinking mm-hmm what if you went back to school and went to ninth and tenth grade. Speaker 2 (44:40): Right just simultaneously every other class sort of like a combined class because of they're not. Speaker 3 (44:46): As many teachers at the school so you small school. Speaker 4 (44:49): Yeah is there any hot teachers. Speaker 1 (44:53): What about this okay There's one hot teacher, John Cena, and he's the principal. Speaker 4 (45:03): So, okay. So, is it okay for him to date the student because they're kind of the same age? Speaker 1 (45:12): What if, yes. Speaker 6 (45:14): It is? Speaker 1 (45:15): Yes. Okay. The student is old. Well, yeah. Speaker 2 (45:19): The student's old, so. Speaker 4 (45:21): That's why he's got to go back. Speaker 6 (45:22): They can date. Speaker 1 (45:22): It's fine. Yeah, it's okay. Speaker 2 (45:25): As long as he's not allowed to see their grades. And that becomes like the big third act. He accidentally sees the grades. Speaker 4 (45:35): Don't even say grades. Stresses me out. Just thinking of making good grades. Was there anything worse than having to make good grades? Speaker 1 (45:44): When am I even going to use having good grades? Yeah. Speaker 4 (45:48): I tell you right now, I've never used trigonometry. Speaker 2 (45:51): I'd love to go shake my younger self and say, forget about. Speaker 1 (45:55): The good grades. Speaker 2 (45:55): You're not even using this. Yeah. What you should be working on is original characters. Speaker 3 (46:02): Yes. Speaker 1 (46:03): Tony Pinchcliffe. And? Andrew Displato. Sales. Speaker 4 (46:09): How to sell stuff? Speaker 1 (46:10): Ellen Distingy. That's the opposite in ways that. Speaker 3 (46:22): Others were synonyms, but it does make me want to go back and make all the other ones opposites, too. Speaker 1 (46:27): Ellen DeCharitable? Yeah, I mean. So what's one of her jokes? Speaker 6 (46:37): I think. Speaker 1 (46:41): I have to get up. Speaker 2 (46:41): You ever try to walk at the beach? You get that beach walk, that sand walk. Speaker 1 (46:48): Oh, yeah. No, I've done it before. Trust me. Speaker 2 (46:49): It just looks a little funny because I'm on sand. Speaker 1 (46:54): And then. Oh, here's $ 50. Speaker 3 (46:57): Bye. Speaker 1 (46:57): Bye.

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