Rachel Kaly, Our Close Friend
Episode Description
The Boys try to figure out the impact RACHEL KALY's upcoming show will have.
See Rachel's show, Hospital Hour, in New York Oct 16th-Nov 23rd!
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:03): Do you want to eat, Mike? Sorry. Speaker 2 (00:06): This always happens when I'm on Zoom. Speaker 3 (00:09): I'm interrupting without realizing. There's a delay or something. Speaker 1 (00:12): It's okay. Speaker 3 (00:13): I just wanted to say, you know. Speaker 2 (00:15): Immediately before we started recording, obviously we're always checking the levels and we're doing the kind of like technical side of the show that's boring. We don't usually make the listener deal with that. But Kevin did say there's a little feedback there. In terms of, I guess, one of the microphones was giving him a sound he didn't want. But I have a little feedback for him that he (00:38): should shut the fuck up. Speaker 1 (00:40): Wow. Speaker 2 (00:41): I have a little feedback for Kevin, and it's don't ever talk to my friends that way. Speaker 3 (00:45): Especially Rachel. Speaker 4 (00:48): I really appreciate that. Speaker 3 (00:49): Especially Rachel. Speaker 1 (00:50): And you sometimes say that he should feed on this back, which... nastier to me I don't think it's appropriate for what he said today that he has to feed on this. Speaker 4 (01:04): Back is the back the ass or is the back. Speaker 2 (01:07): Yeah I turn around and I point right at the center of that sweet peach and I say this is the back I'm referring to just so there's no confusion. Speaker 4 (01:19): That's nice of you to clarify cause he might be confused and. Speaker 3 (01:22): Then Kevin will say right damn, how'd you stuff all that in them jeans? And then I will say, what would I say? Speaker 4 (01:39): You could be like, well, I used the belt to stuff it down, to shove it down a bit. Got to pull an extra tight belt, right? Speaker 2 (01:48): Then he goes, but where'd all that come from, Papa? Speaker 3 (01:52): Yeah. Speaker 1 (01:53): How do they cram all that jam? Speaker 3 (01:56): And I say, where did all that come from? Speaker 1 (01:58): I say, squats and Jesus, baby. Speaker 3 (02:01): Squats and Jesus. That's what I always say to Kevin when he says, where did all that come from? Speaker 4 (02:06): Do you think squats help? Because I'm not really seeing it. Squats and Jesus, Rachel. Right. Jesus is what I'm missing because I'm doing squats, but not Jesus. Speaker 1 (02:15): They're not helping? Speaker 4 (02:17): Not at all. Speaker 1 (02:17): Are they hurting? Speaker 4 (02:19): You know, it's hard to say because if I were. Speaker 1 (02:21): To stop doing it. It is getting worse, but you don't know that that's why. Right. Speaker 4 (02:25): Well, there's a part of my ass that's missing. Speaker 2 (02:27): Mm-hmm. Speaker 4 (02:28): There's a chunk out of it. Yeah, on the side. Speaker 3 (02:32): Uh-oh. Speaker 1 (02:34): A piece of the side is missing? Speaker 4 (02:35): Yeah, I got to figure that out. Speaker 2 (02:37): Mm-hmm. Speaker 1 (02:38): You just woke up one day? Speaker 4 (02:39): Genuinely, I woke up one day, big hole in my ass cheek on the side. Speaker 2 (02:44): Mm-hmm. Speaker 4 (02:45): I wish I could show you guys. Speaker 2 (02:47): So I am actually going to not see that. Speaker 4 (02:54): Right. That's fine. I don't really feel comfortable showing it, but it would be helpful, obviously, if there was a visual aid. Speaker 2 (03:02): You just said you wish you could show me, and so I'm going to use my wish. Speaker 3 (03:06): Everyone gets one wish per episode. I'm going to use my wish now, which is very early in the episode for me to use the wish. And I'm going to wish that you. Speaker 1 (03:16): Don't show us. Speaker 3 (03:17): Just because it's not appropriate for the show. Speaker 4 (03:20): I want to change my wish. Speaker 3 (03:22): Interesting. Speaker 1 (03:23): You get to change it once, but not right after you do it. Speaker 3 (03:27): Hayes is the wish master, so he does make the wish roll. Speaker 1 (03:29): I'm going to hang on to my wish. Speaker 3 (03:33): One of us has to. Speaker 1 (03:34): And we just have to let the wish sit for a minute. Speaker 3 (03:38): Mm-hmm. Speaker 1 (03:39): Before you can change it. Could be interesting for the Broadway show. Broadway baby Rachel Colley is here, by the way, everybody. Give it up. Speaker 3 (03:50): Give it up. Speaker 1 (03:55): She has a show. She went to Edinburgh Fringe. Speaker 4 (04:00): Yep. Speaker 1 (04:01): And she made the sale. The show went to Broadway. Speaker 4 (04:05): Let's say off Broadway. Speaker 1 (04:07): Giving people a lot of false hope. Right. That doesn't happen very much. Speaker 4 (04:12): No. Speaker 1 (04:13): I actually never heard of it happening before. Speaker 4 (04:15): Yeah. Speaker 1 (04:16): A lot of people trot over there in their tartans. Speaker 3 (04:21): Is that how it's pronounced? It's the Fringe Festival? Speaker 4 (04:25): It's the Fringe Festival. Speaker 3 (04:26): Okay. Speaker 2 (04:28): I had assumed it was named after Gustavo Fring from Breaking Bad. And I thought, how amazing to have a festival celebrating one of the finer acting performances of my lifetime. Speaker 3 (04:39): And I know you guys are up on stage. You're all acting. And I had been calling it the Fring Festival. So that's a little bit of egg on my face. But this is why we do the show. Speaker 1 (04:48): They say it different there. It's like, it looks like Edinburgh, right? Speaker 3 (04:51): Right. Speaker 1 (04:51): And it's like, if you're stupid and you look at it, you say Edinburgh. Speaker 4 (04:54): Yeah. Speaker 1 (04:55): But it's Edinburgh Fringera. Speaker 4 (04:58): Fringera Feast. Feast. Speaker 1 (05:01): Fringera Feast. Speaker 4 (05:02): Yeah. Edinburgh Fringafeast. Speaker 1 (05:06): Fringera Feast. Speaker 3 (05:07): Edinburgh Fringafeast. And this is why we do the show. Because, you know, in a vacuum, I can't figure this stuff out. Speaker 2 (05:14): No. And when we come together, we educate each other and hopefully Kevin as well. Speaker 1 (05:23): Do you have any, we can like keep it going. Do you have like any frosting or something? Speaker 4 (05:29): What is, what are you talking about? I wish I could keep the bit going, but I genuinely don't know. Speaker 1 (05:34): Just, like, do you have, like, some frosting? Do you, like, did you bring any... Do you have, like, a bag or something? Do you have any frosting? Speaker 3 (05:39): Y'all got any frosting? Speaker 4 (05:41): I brought my backpack with a tag still on it. Speaker 1 (05:46): Does it have frosting in it? No. Speaker 4 (05:49): This has sugar in it. Speaker 1 (05:50): It's fine if you don't. That has sugar in it? Okay, that's... Y'all got frosting? Not what I was asking for. Richie, do you have any frosting? I'm all out. Are you going to make me fucking... dance for it or like my kids ate your kids ate it. Speaker 4 (06:08): You have kids uh you have kids. Speaker 1 (06:11): Everybody has kids it's fine yes i have kids it's why i don't have any for us. Speaker 4 (06:18): So i'm the only person with no kids i know you have kids because i'm always watching the videos. Speaker 1 (06:26): You almost get out the door. The lurker. This is like. Speaker 3 (06:30): The fucking damn lurker in the back. Speaker 1 (06:32): A dad thing, I guess. But as you're almost, like, you're getting ready to shut the door behind you. And they're like, where's my flossing? Speaker 4 (06:43): Oh, yeah. Speaker 1 (06:43): And your whole bag. Speaker 3 (06:45): I always look down. I go, why is my briefcase open? Oh, and then I see. There's a little crack in the briefcase, the leather briefcase, and they've got a long straw sticking into my frosting bag. Speaker 1 (06:56): They take your Ziploc, and they cut a little piece off the corner, and now it's a pipette. Speaker 3 (07:01): Yeah. Speaker 1 (07:03): Straight to the dome. Speaker 4 (07:04): And then they spell something out with the pipette. They say, Dad. Speaker 1 (07:09): Yeah, it says, Thank you. Unbelievable. Unreal. Speaker 4 (07:18): Having kids sounds amazing. Just from this anecdote. Speaker 1 (07:22): Until you have this cupcake that literally has no frosting on it at all. Speaker 2 (07:28): Yeah. Speaker 3 (07:30): It sucks, man. But what's up? The show's, like, weird or. Speaker 1 (07:36): It has to be kind of weird. Speaker 4 (07:38): Oh, my show? Speaker 3 (07:40): Yeah, you got a show on Broadway, right? So it's alt in some way. Speaker 4 (07:44): It's basically weird as fuck. Speaker 1 (07:46): Yeah, okay. Speaker 4 (07:47): And it's upsetting. Speaker 1 (07:48): We fuck with that, actually. Speaker 5 (07:50): Really? Speaker 1 (07:50): We actually will fuck with shit like that. Speaker 4 (07:52): I never would have guessed. Speaker 3 (07:52): I'm doing dark stuff. I'm actually planning on seeing Digger. That's how sick I am. Speaker 4 (07:59): Wow. Speaker 3 (08:00): I'm actually going to see it. Speaker 1 (08:01): And we like that it's crazy and actually that it's bad. The bad part is good to me. We think that is good. Speaker 4 (08:08): Mm-hmm. Speaker 1 (08:09): And it's supposed to be like that. Speaker 4 (08:11): Right. And is it long as well? Speaker 3 (08:15): I like how long it is. That actually makes it better to me. Speaker 4 (08:19): That works for you. Speaker 3 (08:21): I haven't seen it yet, but when I see it, I'm not going to be able to find any cuts. Speaker 1 (08:24): I like the long parts. I like the parts of it even that are long. Speaker 4 (08:28): Wow. And it's probably loud, maybe, depending on where you're sitting in the theater. You guys sit right next to the speaker? Speaker 1 (08:36): You can get a blanket out. And just pull it over the top of your head and under your chin and kind of like pull it really tight. So then it's actually not that loud. Speaker 3 (08:45): Oh, okay. Is your show loud, Rachel? Speaker 4 (08:53): There's one part where I start yelling a bit. And you can say it's loud, but I'm a professional, so I know to pull the mic away. But if I were unprofessional, I'd yell right into the mic. Speaker 1 (09:05): And who are you yelling at? Someone in your life? Speaker 4 (09:07): Oh, just probably my dad. Speaker 1 (09:08): Mm-hmm. Speaker 4 (09:09): So. Speaker 6 (09:09): Mm-hmm. Speaker 1 (09:10): Probably. Speaker 3 (09:11): Yeah. Speaker 2 (09:11): We'll see. Speaker 4 (09:12): We'll see on the day. You'll have to see. Speaker 3 (09:14): We'll have to find out. But here she is yelling at her dad. Yep. And it's like, we just told you that our kids are stealing our frosting. And that's very triggering for us. Speaker 4 (09:22): Right. Speaker 6 (09:22): I'm sorry. Speaker 2 (09:22): A dad being yelled at is very triggering for Richie and Hayes and myself. Speaker 4 (09:28): Does Kevin have kids? Speaker 1 (09:33): Kevin has a little, like, he thinks it's a kid. I think it is actually like a little beaver or something. Speaker 6 (09:43): Yeah. Speaker 1 (09:44): It's always like building little huts and things. Speaker 4 (09:51): Really? Speaker 1 (09:52): In the background. Yeah. Speaker 3 (09:53): It's like a, Kevin's got a goddamn fucking Ewok in his house. Speaker 1 (09:57): I think it actually might be an Ewok. Speaker 3 (09:58): I'm so proud of it. Mm-hmm. He thinks it's some kind of kid. But it's like it can't be. Speaker 5 (10:07): Right. Speaker 2 (10:08): But it builds a lot of nice little huts and it does a lot of little projects. Speaker 3 (10:12): It's got all these little tools I've never seen before. Oh, tools. Yeah. Yeah, it has these special tools and, like, machines. Speaker 1 (10:23): But it's an adult, whatever it is. Speaker 5 (10:25): Okay. Speaker 1 (10:25): It's not a kid version of whatever that is. Speaker 3 (10:27): I believe it's ancient. Speaker 2 (10:29): I mean, adult is not even properly given credit. This thing has a knowledge that goes far beyond human understanding. Speaker 4 (10:38): Yeah. That sounds pretty... maybe better than a kid. I mean, it depends what you want out of it, but if he is looking. Speaker 1 (10:45): For, there's no, there's no perfect version of it. Speaker 4 (10:48): Okay. Speaker 1 (10:49): You know, sorry. It's like whatever you get, that's what you were supposed to get. Speaker 4 (10:54): Right. Speaker 1 (10:55): And so whether it's like a kid that you had in the traditional way, if you're with your family or if it's like a creature that you found, he found. Speaker 3 (11:05): It discovered, you know, beneath your home. Speaker 1 (11:06): Yeah. Speaker 4 (11:07): Yeah. Speaker 2 (11:08): Ewoks always greener on the other side, you know, yes, it sounds better. But then he may be jealous. Oh, we have a human child. Speaker 4 (11:16): Yeah. Who can draw you pictures? Sounds like this guy could draw pictures, though, too, if he has tools. Speaker 2 (11:23): Yeah he draws schematics he's planning something he's designing something. Speaker 4 (11:27): I see I was on a plane on the way here and I walked here we go sorry flex oh yeah. Speaker 6 (11:33): Go ahead flex on him my bad this is my favorite kind of bit when it's like When it's like, I was on the way here. Speaker 4 (11:40): Uh-huh. Speaker 1 (11:41): And it's like, holy fucking shit. This just happened? Speaker 3 (11:45): Right. Speaker 4 (11:45): It genuinely did. I don't know what you want me to say. Speaker 1 (11:48): No, that is what I want you to say. I love this shit. Okay. I love when it's like, I was walking up. Right. To the stage just now. Speaker 4 (11:56): Yeah. Speaker 1 (11:57): And this entire shit just happened to me. Speaker 4 (11:59): Yeah. Speaker 1 (12:00): Like, oh my God, this is a freshie. Speaker 4 (12:02): Yeah, it's like if you guys had known me five minutes ago, you would have seen this happening to me. Speaker 5 (12:06): Yeah! Speaker 3 (12:07): Damn, lucky me. Speaker 4 (12:08): Wow, yeah, it gives me. Speaker 3 (12:09): A rush to think about it. Speaker 4 (12:10): I'm here on the right night. Well, basically, what I wanted to say, if that's okay, is that... Yes, we like it. Speaker 1 (12:20): We want you to say it. Speaker 4 (12:21): Okay. Speaker 1 (12:22): This is our favorite part. Speaker 3 (12:24): I'm going to stop talking now. I can feel you wanting to say something. Speaker 1 (12:28): She asked if it was okay. Speaker 3 (12:29): Okay. Speaker 4 (12:30): I did get permission, but seriously, if you have something to say, you say it whenever you want. I'm in your house. Speaker 1 (12:35): Say one thing. Speaker 3 (12:36): Yeah. Speaker 1 (12:36): Let Sean say one thing before you say yours. About planes or like... A lot of pressure. Sometimes when someone says something, it reminds you of something that happened to you, right? Speaker 3 (12:49): Well, I just did our last episode from a plane. Speaker 1 (12:51): I don't know if you know about this. Speaker 4 (12:52): You're kidding. How? You're not supposed to talk on the plane. Speaker 3 (12:57): I know. I felt pretty guilty the whole time. Speaker 1 (13:00): Does nobody talk in that story that you're about to tell? Speaker 4 (13:02): No one talks. Speaker 1 (13:03): Wow. Speaker 4 (13:04): It's all visual. Speaker 1 (13:05): Respect. Yeah. Speaker 4 (13:07): I had an internal monologue I can tap into. Speaker 3 (13:09): Thank you for following the rules. Speaker 4 (13:12): You're welcome. But you had internet where you could join the podcast? Speaker 2 (13:16): Yeah. Speaker 1 (13:18): On the plane? It wasn't one of the flying planes. Speaker 4 (13:23): It was a grounded plane, like a big car. Speaker 1 (13:25): It's sort of become a cafe, almost like a Parisian cafe. Speaker 3 (13:29): It was a sea plane, and the C is for cafe. Speaker 1 (13:33): Awesome. Okay. See, I'm so glad we did it like this, where you got to say, Something that it reminded you of when she started her story. Speaker 3 (13:47): Yeah. Speaker 1 (13:48): It should go like that. Speaker 4 (13:49): Always. Did you have anything? Speaker 1 (13:51): You should start something. No, I like to watch. Speaker 4 (13:54): Okay. Speaker 1 (13:55): I like to see it all play out. Speaker 2 (13:57): Yeah. Speaker 1 (13:57): But I like a conversation, like watching a conversation where someone starts to say something. Speaker 3 (14:02): He's in the cuck chair. Speaker 1 (14:04): And the other person. Speaker 3 (14:05): Whoa. Speaker 4 (14:06): And mine looks like his. So what does that say? The chair. Speaker 3 (14:09): Well, he said he likes to watch. I think it's more positional and, like, participation level. Speaker 1 (14:14): It's not really. I reverse. The actual physical chair. Speaker 3 (14:17): I see. Yeah. Speaker 4 (14:19): All right. Sorry for bringing that into the fold. Speaker 1 (14:22): I don't even know what the chair would. Maybe it would come with opera glasses that, like, come out of the arm. Speaker 2 (14:32): Right? Speaker 4 (14:32): Yeah. Speaker 2 (14:34): The audience is drooling waiting to hear this plane story, too. Speaker 3 (14:38): The further we get. Speaker 1 (14:39): Away from this. Speaker 4 (14:40): I don't think I'm going to say it. Speaker 3 (14:42): The anticipation is building. The audience is about to burst. Speaker 4 (14:46): I just don't know if it's worth it. Speaker 1 (14:48): It just happened. Speaker 4 (14:50): I know. Basically, you guys are okay? Because you had said schematic. Speaker 3 (14:56): Yep. Yeah. Speaker 4 (14:58): And what had happened was this guy was on the plane looking at schematics of the plane and a building in a city that we were flying to. And I was like, this is it in terms of my life is about to end. Speaker 1 (15:13): What were you going to do? Speaker 4 (15:15): I was completely, I had accepted it. I'm ready to go whenever. Speaker 3 (15:19): You're sort of the opposite of Mark Wahlberg. Speaker 1 (15:23): Yeah, I'm like, all right. Speaker 3 (15:24): You're like, if I had been on that plane, shit would have gone down a lot smoother. Speaker 4 (15:27): Yeah, I would have just let it happen, guys. What's meant to be is meant to be. Speaker 1 (15:32): So your thinking was that he had it all planned out, and then he was like, I'm going to forget what the building looks like. I'm going to do the wrong one. And also, like, which way am I supposed to go on the plane? Speaker 2 (15:48): Yeah. Speaker 4 (15:49): Yeah. Speaker 3 (15:50): It's so crazy to be cramming for that test. You know what I mean? Speaker 5 (15:54): I know I should have looked at this last night, but I just didn't have time. Speaker 3 (15:59): And so I just brought it on the plane. I'll just figure it out in the air. Speaker 4 (16:02): Yeah. Speaker 3 (16:03): And it's like, oh, you really can't procrastinate. Speaker 2 (16:06): No. Speaker 3 (16:11): Because it's very hard to figure it out. Speaker 4 (16:12): While you fly. And honestly, maybe he was going to do something and he realized he wasn't prepared enough. Speaker 1 (16:17): He wasn't ready. Speaker 4 (16:18): It's like next time. He like postponed the test, basically. Speaker 2 (16:22): Yeah. Maybe he saw you and he said, oh, I didn't think that the star of hospital hour was going to. Speaker 3 (16:28): Be on the plane. Speaker 4 (16:29): Yeah. Speaker 3 (16:30): And he said, well, maybe he had been at the Edinburgh. Speaker 4 (16:34): It's possible. Speaker 1 (16:35): We have to at least let her live that dream. Speaker 4 (16:38): Yeah. Speaker 1 (16:39): And give Chris Fleming a chance to flex his directorial chops. Speaker 4 (16:42): Right. That's really nice. Speaker 2 (16:47): What is something you learned from Chris the director? Speaker 3 (16:51): What would surprise us about Chris as a director? He's a friend of the show, been on the show. Speaker 4 (16:56): Really? Once or more? Speaker 1 (16:59): Not only has he been on it once or more. Speaker 4 (17:02): Mm-hmm. Speaker 1 (17:03): He is one of the ones who agrees sometimes when Kevin is like, can you come on as a little surprise for a surprise episode? We used to do that. We haven't done it in three or 400 episodes. Speaker 4 (17:14): Yeah. Speaker 1 (17:16): Kevin has stuff going on as we described. Speaker 4 (17:21): And was Kevin the other guy? Speaker 1 (17:23): Kevin was that other guy. Speaker 4 (17:24): And where is he? Speaker 1 (17:25): That was Kevin. He used to be. He used to be. Speaker 4 (17:29): Sorry to hear about that. Speaker 1 (17:32): We had heard. Speaker 4 (17:33): Well, you know, Obama's office is close by. Speaker 1 (17:37): Close by to. Speaker 4 (17:38): Like his Hollywood higher ground. Am I allowed to talk about that? Or something bad might happen? Speaker 3 (17:45): Is she allowed to talk about that, Hayes? Speaker 1 (17:48): I mean, I had heard that your publicist was going to be on the Zoom. Do we have the publicist on the Zoom? I didn't know about that. Do we have the publicist on the Zoom? Speaker 2 (17:54): Maybe you could use your wish to wish that it's okay to talk about. Speaker 3 (17:59): Obama on higher ground. Speaker 1 (18:01): I want to hang on to my wish. It is okay with me. I just want to make sure if we do have the publicist on the Zoom that we are clearing it for you. This is about you and the show. Speaker 4 (18:12): Right. That's really nice of you. Speaker 1 (18:13): And now we're talking about endangering Obama? It's okay. If that's what you want to do, that's okay. If it's okay with the publicist. Speaker 3 (18:20): We're doxing Obama in the middle of the show? Is that really. Speaker 4 (18:24): Is that the type of podcast you guys want to write? I understand. Speaker 3 (18:28): I don't care about us. I don't care about us. Speaker 1 (18:30): What's the publicist's name? Speaker 4 (18:32): You know, I'd have to check my email. Speaker 1 (18:35): Not very. Speaker 4 (18:36): Oh, there she is. Speaker 3 (18:39): My wife's name is Grace. Speaker 1 (18:40): Aw. Speaker 2 (18:42): Yeah. Speaker 1 (18:49): Steer clear but i'll check in with the right to is more informed to give a go on this. Speaker 4 (18:56): But thanks for checking thanks grace nice to meet you grace that's really nice nice to meet you nice to meet you too so could we erase the tapes on that or how does it so. Speaker 2 (19:07): That that's the only thing is like whatever you do say on the podcast does become part of the official record and and casey's always recording it as well like separately from the recording we're making is casey our our engineer is like um sort of in like a stenographer. Speaker 4 (19:25): I see there's a hard copy. Speaker 2 (19:27): Official yeah so and this is we can't walk back what you've said but we can stop you from further damage. Speaker 1 (19:33): And this is the kind of stuff that actually like really does numbers now the stuff in between the press when Tom Cruise is where it's like, oh, like he talked to me a little after. Speaker 2 (19:44): Right. Speaker 4 (19:45): You know what I mean? Yeah. Speaker 1 (19:47): And you basically right now saving a lot. yeah is gonna be incredible numbers huge so and grace gets it like for her career it's like yeah i actually helped save obama right. Speaker 2 (19:59): I'm the publicist who saved obama's life she's america's publicist yeah. Speaker 4 (20:05): Democracy's publicist we're all her client Uh-huh. And what's the painting behind you? Speaker 3 (20:23): Oh, I'm so glad you asked. I am crazy for fruit these days. Speaker 5 (20:29): I'm cuckoo for fruity puffs, you know, and I just absolutely love the sweet taste of the uh, flesh beneath the skin of the fruit. Speaker 2 (20:43): And so, um, what I've done is I've commissioned a bowl of orange greens and they, and they're, uh, I mean, I wish I could pull them out of the painting and eat them, you know? Speaker 3 (20:59): Uh, and the, the, the color. Speaker 1 (21:02): Scheme is classic. Speaker 2 (21:04): Um, and yeah, does it feel almost like you're inside the painting now? Speaker 1 (21:09): It's really getting close to it. Speaker 4 (21:11): Yeah, I don't know how you're doing that. And those are oranges, not apples? Speaker 2 (21:18): One thing I love about art, and I'm sure I would feel the same way about Hospital Hour, is there's not a single interpretation of it. That you, for better or worse, bring your own life experience to it. So I don't know if it's because I'm craving an orange or because the color is orange or what it is. Speaker 3 (21:37): But I see it, and I think, that's an orangerine. But you saw apple. Speaker 2 (21:43): And it's for you to investigate why that is or what brought your mind there. Speaker 4 (21:49): Yeah. Speaker 3 (21:50): But Hayes may see tiny grapefruit. Or a huge grape. Speaker 4 (21:56): Mm-hmm. Speaker 3 (21:58): A rotten plum, a giant grape, yes. Speaker 2 (22:01): And so that's one of the really cool things about art. Speaker 3 (22:07): And we do like to talk about that. Speaker 1 (22:10): Hospital Hour is the name of the show. There's stand-up. We get a little serious maybe sometimes. Speaker 4 (22:19): There's a little, I would say I just have, there's sometimes I say, listen, here's what's going on. Speaker 1 (22:26): You're in the hospital? Speaker 4 (22:28): I've been in the hospital a lot. Speaker 1 (22:30): Is the horse in this one as well? Speaker 4 (22:32): Who's the horse? Speaker 1 (22:33): The horse in the hospital. Speaker 4 (22:35): What are you talking about? Speaker 3 (22:36): Remember the horse in the hospital? Speaker 1 (22:38): These kids. These fucking kids. Speaker 4 (22:40): The horse doesn't belong in the hospital. Speaker 1 (22:42): I'm sorry. Speaker 4 (22:43): Unless it's a horse hospital. Speaker 1 (22:45): That's kind of part of it. Speaker 4 (22:46): Really? Speaker 1 (22:47): It's like they just. Speaker 4 (22:50): Well, why don't you educate me? Speaker 1 (22:51): They just showed up one day. They said, here I am. I'm doing this now. Speaker 2 (22:58): They said, well, maybe you should watch this. Here's how tall I am. I can see the whole city from here. And we said, well, look down under your feet. You're actually standing on the shoulders of some giants. Speaker 4 (23:11): Well, I'm really upset to not know what you're talking about. Speaker 3 (23:15): John Mulaney. Speaker 1 (23:17): Oh, my God. Speaker 3 (23:18): Everybody's in L.A. Speaker 1 (23:20): He invented this horse that was in the hospital. And it was crashing around. It wasn't supposed to be there. Exactly. Speaker 3 (23:28): It was doing crazy things. Okay. Speaker 4 (23:30): And you weren't. Speaker 2 (23:31): Even allowed to judge any specific action of the horse because just the horse being in the hospital was actually the greater crisis. And any specifics inside of that couldn't be shocking to you. Speaker 1 (23:42): And do you know who that horse was? Would you like to guess? Speaker 4 (23:46): Seabiscuit. Speaker 3 (23:46): No. Speaker 4 (23:47): Police horse. Speaker 1 (23:48): No, it's not. It's not actually a horse. Speaker 4 (23:52): Is that a horse on your hat? Speaker 3 (23:54): I'll give you a hint. Speaker 1 (23:55): I want her to do more guessing, though, so don't give too much of a hint. Speaker 4 (23:59): You said it's not actually a horse? Speaker 1 (24:01): It's not actually a horse. Speaker 4 (24:02): Richard Kind. Speaker 1 (24:03): No. That's not the relationship that they have. Speaker 4 (24:08): I see. And it's a person? Speaker 1 (24:10): And this was from before that, also. Speaker 4 (24:12): Oh, my God. I'm so sorry. It's like, what am I supposed to say? Here I am. Speaker 1 (24:18): Nothing existed before 2023. Speaker 4 (24:24): I mean, I don't. Speaker 1 (24:27): Give your hint. Give your hint, Sean. Speaker 2 (24:33): China. Speaker 4 (24:35): It's Trump. Speaker 1 (24:35): It was Mr. President Donald Trump. Speaker 4 (24:37): You're kidding. Speaker 1 (24:38): Yes, that was the horse. And when he reveals that. And actually, this was Mr. President Donald Trump the entire time. And that horse has been Mr. Speaker 3 (24:49): President Trump all along. Speaker 4 (24:53): It doesn't sound like Mulaney. Speaker 3 (24:54): And it's hard cut to black. Speaker 1 (24:57): It doesn't sound like. Speaker 4 (24:58): He doesn't talk about politics, does he? Speaker 1 (25:01): Well, maybe it doesn't sound like the John Mulaney you know. Right. Speaker 4 (25:06): The Mulaney of a different era. Speaker 1 (25:07): Yes. Speaker 3 (25:08): The new one. Speaker 1 (25:10): The smaller one. What do you. Speaker 2 (25:13): He doesn't talk about politics because it's all politics, and he deals. Speaker 3 (25:18): In metaphor, reflection, you know? Speaker 2 (25:23): These sort of high-minded literary structures that actually end up being, yes, about politics, because politics encompass what? Speaker 3 (25:35): Humans, right? Speaker 2 (25:36): It's like when you were trying to get Obama murked earlier. Speaker 4 (25:40): We're not supposed to talk about that. Speaker 3 (25:42): Sorry. Speaker 4 (25:44): It's okay. I'm looking out for you now. Speaker 3 (25:47): Sorry. Speaker 1 (25:48): Hollywood handbook. Speaker 4 (25:52): Hollywood handbook. Speaker 1 (25:54): So I'm relieved that you're saying that you do not have a section in Hospital Hour that's about a horse in the hospital and it's Mr. President Donald Trump. Speaker 4 (26:05): No, Trump is not mentioned in my show, for better or worse. Speaker 1 (26:08): Okay. And I understand. Speaker 4 (26:12): And I don't like horses. Speaker 1 (26:13): You have business to do, I understand. Speaker 4 (26:15): Yeah. Speaker 3 (26:15): Republicans buy tickets too, right? Speaker 5 (26:17): Mm-hmm. Speaker 4 (26:19): Well, you'd think. Speaker 1 (26:21): And that would have been really bad. Speaker 3 (26:23): They're sneaking in? You think they're sneaking in? Yes. Speaker 4 (26:27): I have a couple. Do not allow in. But for the theater, but it's Republicans and Democrats. That type of stuff is across the aisle. Don't allow this person in. Speaker 1 (26:37): The Republicans, they sneak up in the rafters, you know, they find a little window, but they climb the ladder in the alley and they just find a little window and they just like take in the show. Well, reach down and grab some popping cord. Speaker 4 (26:51): My show is in the building that Sleep No More was in. which is a very immersive space, and so there's a lot of places for Republicans or, again, Democrats, independents even, to hide and become part of the show without me even knowing. Speaker 1 (27:05): And does yours have masquerade elements? Speaker 4 (27:08): If people come, I will incorporate it in mask. Speaker 3 (27:13): Yeah. Speaker 4 (27:16): But I will not be wearing a mask in the physical sense. Of course, there are moments where the mask lifts. Speaker 1 (27:23): It has to come on. You have to give him a little peek. Speaker 2 (27:26): Yes. Speaker 1 (27:27): Not too much. Speaker 4 (27:28): Sleep no more. Speaker 1 (27:30): Does that mean. That it is an immersive experience where you are going around and talking to everybody. Speaker 4 (27:44): You mean in my show? Speaker 1 (27:45): And saying, great party, huh? Speaker 3 (27:48): Oh, boy. Nobody gets poisoned. Speaker 1 (27:52): Did you hear about the bride? That type of thing. Speaker 4 (27:57): That's not what I'm doing. Speaker 1 (27:58): And people leave the party and they're just like, she didn't get to me. I guess she was talking to other people tonight. She didn't end up talking to me at this one. I guess I'll have to come back. None of the performers.... Speaker 3 (28:15): I don't know if I got a bad seat, but where I was. Speaker 4 (28:19): I didn't hear anything. Speaker 2 (28:20): I was actually even far away from the conversations the performers were having with other people. I couldn't even sort of vicariously experience it. Speaker 1 (28:29): To me, it was just a normal party, below average, because.... Speaker 3 (28:35): Well, I didn't know anyone there. Speaker 4 (28:36): You had to pay to go. I had to pay so much money. Speaker 1 (28:41): $ 45. But isn't that what Sleep No More was, where they would go around? Speaker 4 (28:45): I never saw it, but I do know people who went and were like, I was just waiting for six hours, basically. Speaker 1 (28:52): Yeah, okay. Speaker 4 (28:54): Which, you know. Speaker 1 (28:56): I had a friend who went to Sleep No More and ended up in sort of the same group. You end up in these little groups, you know, and you're like, let's stick together. And in his group was Aaron Paul. And the Sleep No More experience. Is he dead? Is Aaron Paul dead? Yeah. Speaker 4 (29:14): These fucking kids. I think I'm thinking of someone else. Speaker 3 (29:17): Grace, you want to handle this for us? Speaker 1 (29:18): You're thinking of Aaron Burr. You want to dab in? Speaker 4 (29:22): You're completely right. You're completely right. Speaker 1 (29:27): These theater kids. Speaker 4 (29:28): And I'm thinking Aaron Burr got shot, but no, I'm thinking of Alexander Hamilton. Speaker 1 (29:32): You're thinking of Hamilton. Yes, your friend from Broadway. So... they ended up in the same cluster. And the Sleep No More experience was so transformative for Aaron Paul that they became friends after. He was like, let's hang out (29:53): after this and talk about Sleep No More and let's stay friends forever. Because of the crucible at which our friendship was formed. Speaker 4 (30:01): Yeah. Speaker 1 (30:02): The show Sleep No More. Speaker 4 (30:03): Wow. Speaker 1 (30:04): Can you do that? I don't think so. But I wish you luck. Speaker 4 (30:10): I think I can. Speaker 1 (30:11): I wish you luck. Speaker 3 (30:12): Rachel, have I come to your show on the same night as Aaron Paul? Speaker 6 (30:16): Yeah. Speaker 3 (30:16): Am I getting digits? Speaker 4 (30:20): Yeah, you are. Because you know what? My show is people leave upset. Speaker 1 (30:25): Okay. Speaker 4 (30:26): And then they want to talk about it. Speaker 1 (30:27): With each other. And they're all upset. It's a common enemy, isn't it? Speaker 4 (30:31): They're upset at what has happened in my life. Speaker 1 (30:33): Mm-hmm. Okay. Speaker 3 (30:34): Okay? Speaker 4 (30:36): Mm-hmm. And some of them say, oh, I relate to this. Speaker 2 (30:39): Mm-hmm. Speaker 4 (30:39): And then they find each other in the lobby. Oh, yes, this thing happened to me, too. Speaker 1 (30:44): And they're upset about that? Speaker 4 (30:46): They could be. Speaker 1 (30:47): Okay, you just said that they were. Speaker 4 (30:49): Well, let's leave a little bit of room for different interpretations of what I could have said. Speaker 1 (30:55): Okay. Speaker 2 (30:55): Well, it's much like the painting of some kind of fruit. Speaker 4 (31:00): So let's extend that generosity to me as well. Speaker 1 (31:04): And so everyone in the audience is friends after your show. It is possible. They become friends with each other. Whether or not they liked the show, they will hang out after all of them. Are they staying in the theater? Speaker 4 (31:19): The theater has a great hangout space. I'm not kidding. Speaker 3 (31:23): Rachel, I think this is a cool idea. Speaker 2 (31:25): So when people filter out of the show, there's sort of like velvet rope, like two different sections. Speaker 3 (31:33): And one side is labeled liked and one is didn't like. Speaker 4 (31:38): Yeah. Speaker 3 (31:39): And people can go like, Find their tribe. Speaker 4 (31:43): Yeah. Speaker 3 (31:44): Post show. Speaker 1 (31:45): Right. Speaker 3 (31:45): And sort of fill in those zones. Speaker 2 (31:47): And you also can have somebody with like a little like clicker, like counting, like how many people didn't like it and, you know, kind of. Speaker 4 (31:55): And then maybe in those zones, they play the game where if you're attracted to someone, you pop the balloon. Speaker 3 (32:02): So I don't know this game. You know, I've been out. I've been out of the game for a little while now, so I don't know what the kids are doing. Speaker 4 (32:09): I see. It's just you stand in a row with a balloon, and if they like you. Speaker 3 (32:14): In. Speaker 1 (32:15): Purgatory, yes. Isn't that where the game usually happens? It's an entirely white space. Speaker 4 (32:20): Yes, you know what I'm talking about. You've seen the videos. Speaker 1 (32:23): And then... I never really understood why they were popping the balloon, if that was good or bad. Speaker 4 (32:31): If they have a penis, it's the boner popping the balloon. Speaker 1 (32:35): The boner is doing that? Maybe. Okay. Speaker 4 (32:38): And you know, sometimes... You guys don't like this type of talk? Speaker 2 (32:42): That's making me concerned on a couple levels. Speaker 1 (32:45): We'll do it. We'll do whatever. Speaker 4 (32:49): It's best to be avoided, perhaps. And Grace, feel free to weigh in. Speaker 3 (32:53): Literally, we've been doing this show for a long time. Speaker 2 (32:56): We've never talked about boner balloons or whatever it is that you've come in to deal with. Speaker 3 (33:04): Let's start a new era right now. Speaker 4 (33:06): Well, you can talk about the clit as well. You guys don't like that either. Speaker 1 (33:11): I know. We'll do it. I don't really want to. Speaker 4 (33:14): I'm trying to figure out what I'm supposed to do here. Speaker 1 (33:17): So if it's a girl, that's popping the balloon. Speaker 4 (33:19): It could be. I don't know what to say. Speaker 1 (33:21): Okay. Speaker 3 (33:22): That's popping the balloon for her. Speaker 1 (33:24): Good. Okay. So I guess I'm here being like, oh, good. Right. Speaker 3 (33:29): Good. Speaker 1 (33:29): That's good that that's doing that. Speaker 3 (33:30): Thank you. Speaker 1 (33:31): Oh, nice. Speaker 3 (33:31): The balloon pops. Oh, thank you. Thank you for doing that with your stuff. Speaker 4 (33:38): Yeah. So that's just one idea. Speaker 1 (33:41): Over in... What if they go to the didn't like section? Because they loved it. Speaker 4 (33:48): Oh, my God. Speaker 3 (33:51): Oh, that's fun. Speaker 1 (33:55): Wow. That's fun. Are you going to do something after where the audience is talking to the camera and they're talking about how scared they were? And are you going to set up those night vision cameras in the theater? Yeah. Where people are... Yeah. That's a really good way to (34:16): get people to go to the show. Speaker 4 (34:18): Well, that's when I put the mask on, is when we're filming those. Speaker 1 (34:22): When you put the mask on, because the mask is so scary. Speaker 4 (34:25): Yeah. Speaker 1 (34:27): And you have a knife, it looks like. Knife. Wow. Speaker 4 (34:29): Could be holding a gun this way as well. Rifle. Long rifle. Speaker 1 (34:34): Well, that's like rallying the militia, kind of, right? When you hold... A long rifle like this? Speaker 4 (34:42): Well, it's to the people who didn't like the show. It's to incite violence against me. Revolt against, you know, you didn't like the show. Speaker 2 (34:50): Kill her. Speaker 1 (34:51): Because you are putting the mask on, pretending to be someone else. Speaker 4 (34:55): Yeah. Speaker 1 (34:55): Rallying the people that didn't like it to kill you. Yeah. And then you take the mask off. Speaker 4 (35:03): And I show all along, this was me. You really want to do this? All right. You know? Speaker 3 (35:10): That's an interesting show. Speaker 4 (35:11): It's theater. Speaker 1 (35:12): I am interested in the idea of holding a pistol, like a handgun, like this. Speaker 3 (35:19): Holding it by the barrel. Speaker 4 (35:20): Yeah. Speaker 3 (35:22): Swinging it up like that. Who's the show for? Speaker 1 (35:26): Who are you speaking to when you're up there? Who are you picturing? Who's the one person? Speaker 4 (35:34): Completely. Oh, the one person. Speaker 3 (35:37): Well, it's Obama. You don't have to say me. Speaker 1 (35:39): It's Obama? Speaker 4 (35:40): Again. All right, forget it, forget it. Let me try again. The person who it's for, now listen to me, gentlemen. This show is about my experience of my life as well as my mental illness. Oh, the girl's crazy. Yes. Okay, that's ultimately what it is. But she's crazy because crazy (36:02): stuff has happened to her. And so the show is for people. Who want to hear about that. People who have their own experiences with mental illness. Perhaps, and I'm from New York, maybe. There are lots of different entry points in. Someone who's from New York. Someone whose dad is weird. Speaker 3 (36:23): Am I supposed to feel sorry for you? Speaker 2 (36:25): No. Speaker 3 (36:25): Because I'm kind of trying to do that for myself. Speaker 4 (36:29): What do you feel sorry about yourself for? Speaker 1 (36:32): What's going on? Speaker 4 (36:34): Why do you need to feel sorry for yourself? Speaker 3 (36:36): Do not, do not suck me into this trap. Now all of a sudden I have a show on Broadway. I'm busy. I can't do that right now. Speaker 4 (36:46): Right. Well, you could workshop it for a while. Speaker 1 (36:49): I would just say the way you're describing it. Speaker 3 (36:51): Yeah, I'd be like, I saw you. You were doing this show during the strike. Speaker 4 (36:54): Yeah, this is really, it's really upsetting to me. Speaker 1 (36:57): Thanks for your support. Speaker 2 (36:59): I walked the damn picket line and she was like, hey, I've got this show. And I was like, you're not supposed to do that right now. Speaker 4 (37:07): Well, I was flyering at the strike because it's like that's where all the showrunners are. Hey, come see my show tonight. Oh, it's hot outside. Well, in the theater, there's AC tonight. Speaker 1 (37:20): This show... And I'm really glad you're here. Speaker 4 (37:23): Really? Speaker 1 (37:24): It's been fun having you. I do think you got booked on the wrong show. Speaker 4 (37:29): Here? Speaker 3 (37:30): Yes. Speaker 4 (37:30): I knew this was going to happen to me. Speaker 1 (37:32): It's not for... You say who it's for. Speaker 4 (37:36): Yeah. Speaker 1 (37:37): People that have mental illness. People from New York. It's just not really like... Dad is weird. Speaker 4 (37:44): Yeah. Speaker 1 (37:45): It's not... That's not our audience. Speaker 4 (37:48): Who's your audience? Speaker 3 (37:49): Our... No. Speaker 4 (37:50): No. Who is your audience? Speaker 1 (37:53): Beefy, muscular, just like boys and girls. Just like boys and girls who are really strong. Gorilla juice heads. Mentally good. Just like we're good. You know? Yeah. Dad is chill. Speaker 4 (38:13): It's kind of all good. Speaker 2 (38:14): When we've done live shows and interacted with our fan base, or even when they've approached us in public. Speaker 3 (38:20): kind of seems like it's. Speaker 6 (38:21): All good really it's all pretty good and we're like do you need anything and they're like i'm i'm stro i'm strilled yeah no no i'm still they're strilling. Speaker 4 (38:33): And they have disposable income to attend your live shows. Speaker 1 (38:36): As well yes moneyed moneyed people yes money did it for themselves. Speaker 2 (38:40): Not an issue for for this crew i see they're actually uh They're actually very comfortable. Speaker 3 (38:48): They don't like to say we're rich. They're comfortable. Speaker 1 (38:51): And also they're like where they're from. It goes pretty far because they're not from New York. Speaker 4 (38:56): I want to amend the New York thing. It's just that the show is in New York. But if your audience has money, they can fly to New York. Speaker 1 (39:03): I think it's smart to be like, it's for people who are from the theater where you're doing the show. Right, that's a great point. Because then they'll go. Speaker 4 (39:13): Yeah. Speaker 1 (39:13): You know? Speaker 4 (39:14): Well, there are a lot of floors in the theater. Speaker 1 (39:18): So that's the Sleep No More aspect of it. Speaker 4 (39:21): Well, it's where Sleep No More happens. So that's the Sleep No More aspect. Speaker 1 (39:24): Is it possible that Sleep No More is still happening and you are sort of a waste? station? Speaker 4 (39:30): What I'll say. Speaker 1 (39:32): Or like entertainment for the line. Speaker 4 (39:34): Oh, yeah, I would do that. Speaker 1 (39:37): You know how sometimes it like. Speaker 3 (39:39): Well, we're saying you are doing that. Speaker 4 (39:41): Oh, I understand. Speaker 3 (39:42): We're realizing that's what you are doing. Speaker 4 (39:46): I see. Well, really what I'm doing is following a heated rivalry parody musical. Speaker 1 (39:51): Yeah. Speaker 4 (39:52): No, Jen, I'm not kidding. Speaker 3 (39:53): That's awesome. Speaker 4 (39:54): That's what's happening in the theater. I got fucked. Speaker 1 (39:57): So you are, they do their parody musical. Speaker 4 (40:01): Yes, which is selling amazingly and everyone looks better than me. Speaker 1 (40:05): And then they're like, Stick around, everyone. We've got an amazing show. Speaker 4 (40:09): We've got an amazing show. Speaker 1 (40:10): Coming up after the full-length musical we just did. Mm-hmm. Hang out. Just wait half an hour, and then we've got a whole other show. It's called Hospital Hour. Speaker 3 (40:22): Guys, I hope you like the sexy hockey songs. Please do. Speaker 2 (40:24): I know everyone loved the sexy hockey songs. Please do stick around to hear about someone's journey with their mental illness. Speaker 1 (40:31): What? Speaker 4 (40:35): There is one audio track in my show. Speaker 1 (40:38): Wow, and it's loud? Loud. Okay. Yep. Speaker 3 (40:41): All right. What are we putting on there? Downeaster Alexa? Speaker 4 (40:46): Huh? Speaker 1 (40:47): Downeaster Alexa? Speaker 3 (40:48): Is it Downeaster Alexa by Billy Joel? Speaker 4 (40:51): No, but he's from New York. Is that true? Speaker 3 (40:52): That's New York, yeah. Speaker 4 (40:55): Spider-Man from Queens. Speaker 3 (40:58): Spider-Man, of course. Speaker 1 (41:00): Spider-Man, yeah. Speaker 4 (41:02): No, it's an original song. Not written by me. Speaker 3 (41:07): All right. Speaker 2 (41:12): So. Speaker 3 (41:12): I guess in that way, all songs are original songs. You know what I mean? Speaker 4 (41:16): Don't perform by me. I say, let's hit the track. It's about 60 seconds long. Speaker 1 (41:24): Okay. Speaker 4 (41:24): And frankly, it's distracting. Rachel, can I say this? Yeah. Speaker 3 (41:27): Downeaster Alexa is also an original song not by you. Speaker 4 (41:30): You're kidding. Speaker 1 (41:32): Yeah, you were like correcting him as if you wrote. Downeaster Alexa. Speaker 2 (41:39): You're right. Speaker 4 (41:39): I see how that, yeah. Well, I'm sorry. I'd love to hear this song. You know it by heart? Speaker 3 (41:47): Probably, yeah. Speaker 1 (41:49): When's your show go up? Speaker 3 (41:49): But I can't make the sounds. There's an interesting soundscape happening that I can't create for you. Speaker 1 (41:54): When's your show go up? Speaker 4 (41:55): The show starts October 16th. Speaker 1 (41:56): Okay. So we have time for you to perform Downeaster Alexa. Speaker 4 (42:01): Hey, if you're in New York. Speaker 1 (42:02): The show doesn't start until October 16th. Speaker 4 (42:04): Anytime. You pop in. Speaker 2 (42:07): Yeah, there's like a sort of an interesting soundscape happening with it. Yeah. Speaker 3 (42:12): I'm on my down Easter, Alexa. Speaker 4 (42:16): Down Easter, Alexa? Speaker 3 (42:18): I work with the rod and the reel. Speaker 1 (42:25): Bye. Speaker 3 (42:27): And I'll strive for that hair in the kitchen sink. Speaker 4 (42:32): Recording stopped. Hollywood ham.
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